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Displaying items 301-320 of 756 in total

Copyright and the Theatre

by Craig Mason

Copyright and the Theatre go hand in hand, especially if you’re doing plays, but a topic about which many students (and even teachers) lack knowledge. Students will read about the aspects of Copyright and the Theatre, reflect on making changes to scripts, and complete a Copyright and the Theatre Quiz.

The 21st Century Story

by Lindsay Price

Theatre is about communication. A story is presented to an audience. Storytelling was one of the earliest forms of entertainment that we continue to use today. Even though the method for delivering the story has changed, the form itself has stayed the same for thousands of years. In this lesson, students will create their version of the 21st century story. What stories do we tell today? How do we tell them? Who do we tell them to? You can use this lesson as an intro to studying modern theatre, especially for students who don’t have a theatre background. You can also use this lesson as an intro for Ancient Greek Theatre. Start by examining stories in a modern context, then shift to the Ancient Greek era.
Lesson 3 of 5 in Theatre Etiquette Unit

Audience Etiquette

by Kerry Hishon

Theatre does not happen without an audience. It’s important for students to be aware of and apply audience etiquette. In this lesson, students will explore the different ways an audience behaves depending on the event, what is bad audience behaviour, establish the rules, practice critical thinking as an audience member, and complete an exit slip to demonstrate comprehension.
Lesson 1 of 6 in Scenic Design Unit

What is Scenic Design?

by Karen Loftus

Students explore the effect scenic design can have on storytelling using designed environments from known TV shows and movies.

What Skills Do You Need to Work on a Show?

by Kerry Hishon

The objective of this lesson is to introduce the concept of “hard skills” (specific abilities or knowledge needed to do a specific job) versus “soft skills” (personal attributes and personality traits; transferable skills that can be used in any aspect of a student’s life).

Introduction to Medieval Theatre

by Ruth Richards

Students will explore Medieval Theatre by role playing what it would be like to perform at the time. Students form trade guilds, create a medieval market scene, and then work on a morality scenario. Lesson plan comes with a written assignment to be completed after the practical assignment.
Lesson 1 of 8 in Playwriting Unit

Structure

by Karen Loftus

Students begin their exploration of playwriting by learning about structure and applying the elements in a writing exercise.
Lesson 3 of 7 in Scene Work: Part 1, Tools of Scene Work Unit

Session 3: Thou Shalts of Virtual Staging and Performance

by Lindsay Price

Students will participate in a demonstration to explore the rules of virtual staging and performance and why they are important. They will perform a Bad Idea/Good Idea skit for the class to demonstrate their understanding of the concept.

Masterclass with Reay Kaplan Maxwell: Puppeteering

Video 2 resources
Masterclass is a series of one-on-one interviews with experts, creators and innovators in the world of Theatre that you can study in-depth, or share with your classes. Think of this series as 'Inside the Actor's Studio' for Drama Teachers. In this masterclass, Matt Webster talks to to Reay Kaplan Maxwell, an actress and professional puppeteer. This discussion focuses on her experience as a professional puppeteer.
Lesson 4 of 5 in Comedy of Manners Unit

Characters in the Comedy of Manners

by Lindsay Price

The Comedy of Manners is a style of comedy that uses satire to highlight the behaviours, actions, fashions, and “manners” of a segment of society. Students will explore characters in the comedy of manners and then create a comedy of manners character profile with one of the characters from The Importance of Being Earnest.

Crumpled Paper

by Karen Loftus

Some students dread writing. Just the thought of pencil and paper make them want to crumple up that paper and throw it. Well, now they can. In this exercise, students are introduced to story elements such as character, objective, obstacle/conflict, tactics, and resolution. Pairs of students add each new story element to an ever growing story that can be shared with the class. Reflection and Rubric included.

Research Project: Acting Teachers

by Todd Espeland

Instead of presenting a lecture on influential acting teachers, students self-learn in this lesson plan. Have students research an acting teacher, prepare a presentation and teach an exercise in groups.
Lesson 2 of 10 in Unit Seven: Directed Scenes Take 2: A Variety of Scenes Unit

Introduction to Physicality

by Lindsay Johnson

In this lesson, students start working on physicality elements. They will complete an Introduction to Physicality Notes sheet and give peer observational feedback.
Lesson 1 of 7 in Scenic Design Unit

What is Scenic Design?

by Karen Loftus

Students begin their exploration of scene design by defining the role of the scenic designer, learning what kind of sets shows can have, and applying their knowledge with a practical exercise.
Lesson 1 of 7 in Introduction to Film Analysis: Mise en scène Unit

What is Mise-en-scène?

by Lindsay Price

In this lesson, students will discuss the difference between film and theatre, identify their prior knowledge of film, and identify the definition of mise-en-scène.
Lesson 5 of 5 in Costuming Unit

Reflection

by Josh Hatt

Students discuss the presentations from the previous class and reflect as a group on the process. They address the role of costumes and costume effectiveness in a scene.
Lesson 2 of 12 in Mock Audition Unit

The Acting Resume

by Lindsay Price

An actor needs two documents when they audition for a role: a resume and a headshot. What should go on an acting resume and what should stay off of it? What is an auditioner looking for? Students will discuss the purpose of an acting resume, review a model, and reflect on the process. Students will use this template when they create a resume for their mock audition.
Lesson 6 of 17 in Creating Your Own Musical Unit

Practicing with Devised Theatre; Sweeney Todd

by Laramie Dean

In this lesson, students will present their devising pieces and prepare to watch the next musical, Sweeney Todd.
Lesson 5 of 5 in Performing Shakespeare Unit

Unit Project: Performing a Shakespearean Scene

by Matt Webster

Students analyze, rehearse, and perform Shakespearean scenes using the concepts introduced over the course of the unit.
Lesson 6 of 6 in Introduction to Technical Theatre: Distance Learning Unit

Culminating Activity

by Lindsay Price

Students work together to come up with a solution for the famous “exit, pursued by a bear” stage direction from Shakespeare’s The Winter’s Tale through written response, drawing, and making a design element with materials found at home.