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Displaying items 301-320 of 695 in total

Intro to Blocking

by Lindsay Johnson

In this lesson, students will decide how best to include movement in their scene to help an audience understand what is happening in the scene. Students will complete a set design for their partner scene and add 3+ blocking notes to their scripts. Students will also take a Stage Directions Mini-Quiz to demonstrate their understanding of stage directions/basic blocking notes.
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Voice Expression and Projection

by Lindsay Johnson

In this lesson, students will rehearse their scenes using a rehearsal checklist, focusing on vocal expression and projection.
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Context Clues

by Karen Loftus

Students review context clues and apply it to the Prologue from Romeo and Juliet.
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Introduction

by Anna Porter

Have students create a situation from a picture and examine the given clues to help fill in the gaps. Next, have students examine the clues in a contentless scene, then fill in the gaps to create their own scenario to perform.
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Exercise 3: Found Lighting Sources

by Kerry Hishon

In this exercise, students are given the opportunity to explore different methods of creating lighting effects using items and resources found around them.

Introduction to Children's Theatre

by Bethany Kennedy

Students will learn about and then demonstrate their understanding of the Children’s Theatre audience through role play and writing a scene.

The Mock Audition

by Lindsay Price

Today is the Mock Audition. In this lesson, you will play director and audition students for one of four roles in the play ‘Jealousy Jane.’ Use the Monologue Performance Rubric to assess their performance.
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Theatre ¾ Honors Class Contract

Contributed by Lea Marshall

This is the contract I am using with my Advanced Class this year. It outlines specific requirements for each 9 weeks. I also included character analysis, theatre critique outline, and 4 different play analysis formats for them to choose from as they complete these assignments. This class is for the advanced theatre student and is a PRODUCTION, PROJECT, and PERFORMANCE based class that I hope will equip students for college auditions and theatre programs by having them compile a full portfolio of their theatre experiences!

Critic Case Study: The New York Times

by Lindsay Price

Students will continue to evaluate the role of the critic and the purpose of criticism. In this case study lesson, students will examine the power of the New York Times drama critic in the mid to late 20th century. While there were many outlets reviewing shows, there was an ongoing mythology that a review from the New York Times had the power to keep a show running or close it. Students will discuss and infer if this is true. They will also reflect on the role of the critic who has such power.

Introduction to Physicality

by Lindsay Johnson

In this lesson, students start working on physicality elements. They will complete an Introduction to Physicality Notes sheet and give peer observational feedback.
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Being Blank

by Stephanie-Ann Cocking

Students use narration, dialogue and mime in this skit sequence where a character teaches the audience to be like them. Each skit has three scenes, two narration/acted out instruction scenes and one dream sequence. The teacher models this activity narrating different scenes of what it takes to "be" like him/her. They include students in the scenes, prompting them to act out his/her narration. The teacher emphasizes how the first two scenes include narration, and then dialogue when students "act out" the activity. The third scene, the dream sequences involves narration as the main character tells their dream, and mime as students act out the mime. Once students have participated in the teacher's model, they are divided into groups and put together a "Being Blank" scene sequences for themselves.

Emergency Lesson Plan: Theatre Reflection

by Lindsay Price

In this ELP, students reflect and respond to a variety of questions and statements about the Theatre. The aim of the lesson is to have students identify statements they connect to and express their point of view on those statements.

The Specifics of Holding an Object

by Karen Loftus

Students are introduced to the techniques of hand position, tension, follow through, action/reaction/interaction.
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Characters in a Scene

by Karen Loftus

Students continue their exploration with script analysis by learning about objective, obstacle, stakes, and tactics and applying it to an exercise.
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Noh Theatre

by Karen Loftus

In this introductory lesson, students learn about Noh Theatre, discuss its primary elements, and then do an exercise that puts those elements into practice.
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Shadow Hand Puppets

by Jenny Goodfellow

One of easiest and earliest forms of puppetry, students will learn to create shadow puppets using just their hands. After they have practiced their creations, they will create a group/partner scene using the shadow puppets.
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Impossible Things are Happening Every Day

by Lea Marshall

Students will explore the Absurdist plot convention of impossible things seen as normal or unremarkable.
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Introduction

by Lindsay Price

The Comedy of Manners is a style of comedy that uses satire to highlight the behaviours, actions, fashions, and “manners” of a segment of society. In this lesson students discuss the nature of comedies that make fun of a group of people and the definition of satire. They are taken through a slide deck that introduces the background and style elements of the comedy of manners. Students also complete a Viewing Quiz.
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The Effects of Colour

by Karen Loftus

Students continue to explore design through the effects of colour and apply their knowledge.

Movement Review

by Lindsay Johnson

In this lesson, students will complete four rehearsals of their scenes using a rehearsal checklist, focusing on movement skills (blocking, tactics, levels).
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