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Taking your students to festivals & competitions

Hosted by Matt Webster, Lindsay Price, Craig Branch, Winston Sims

Learn from teachers who've been there, done that - the ins and outs of taking your students to festivals and competitions. What should students aim to get out of the experience? What pitfalls should you avoid? Turn it into a memorable, positive experience for all involved.
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Technology in the Drama Classroom

Hosted by Matt Webster, Lindsay Price, Anna Porter, Ray Palasz

Technology is everywhere. Are you encouraged (or expected) to use technology in your classroom? Join this tips & tricks sharing session where we’ll discuss best practices for integrating technology in your classroom, sometimes in unexpected ways! Bring your best tips to the chat room so we can all learn together.
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Leaping Lesson Plans! Shaping lessons to suit your classroom

Hosted by Matt Webster, Lindsay Price, Bryan Curran

Getting lesson plans is easy. Adapting them can be challenging. Join us for a conversation on modifying and shaping existing lesson plans to meet the needs of your classroom.
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Setting up your classroom for the year

Hosted by Matt Webster, Lindsay Price, Lea Marshall, Maria Smith

Summer has flown by and any day now your students will be coming through the door. Are you ready for them? Is your classroom?? Believe it or not, much of the success the coming school year will depend on how you set up your classroom now. Discipline, organization, concentration and classroom management all hinge on a well planned classroom space. Whether you teach in a classroom, a theatre, or something in between, this is a PLC that will help you put your best space forward!
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Fear of Failure

Hosted by Matt Webster, Lindsay Price, Gai Jones, Amy Patel

Does your lizard brain make itself heard loud and clear? Do you sometimes feel like you’re living in your very own version of The Play That Goes Wrong? Or The Class That Goes Wrong? You are not alone. Let’s get together and discover how to plan for and even embrace failure. Failure can be a good thing for both you and your students!
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Setting the Tone in a Drama Classroom

Hosted by Matt Webster, Lindsay Price, Lindsay Johnson

When a student walks through the door of your classroom for the first time, they are looking for clues as to what kind of teacher you are and what kind of classroom you run. Whether they are expecting a serious Drama experience or unstructured "play-time", they will know within the first five minutes of the first day what kind of class this is, and what kind it isn't. And they will know it based solely on the tone you set on DAY ONE! So join us for this special PLC on setting the tone in your drama classroom, and be prepared for whoever walks through your door...
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Social Media

Hosted by Matt Webster, Lindsay Price, Stephanie Anderson, Lea Marshall

The days of putting up a poster in the hallway and expecting people to see it are long gone. People aren't looking at posters, they are looking at social media! Students are looking at their phones, parents are checking the theatre program Facebook page, and the public is looking for show information on the school website. No doubt about it: If you are going to reach people in the 21st century, you are going to have to do it electronically! So join us as we put together a panel of social media savvy theatre types and discuss Social Media as the number one communication tool.
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Adapting a DTA course for Distance Learning

Hosted by Matt Webster, Lindsay Price, Steven Stack

As we face the prospect of not seeing our students again for the rest of the year, it is time to start thinking about how to retool traditional lessons for distance learning classrooms. For this PLC we'll be talking to Steven Stack, author of the DTA course The Empathetic Classroom to answer the question: How do you adapt something that was made for classroom instruction, into something suitable for distance learning? Check in for our tips and ideas!
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Distance Learning: Check In

Hosted by Matt Webster, Lindsay Price, Karen Loftus, Bekah Schneider

As many teachers take on a new and unexpected challenge of teaching remotely, we will take this PLC to check in, share tips and tricks, and offer support to each other.
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Working With Monologues For Rehearsal And Development

by Gai Jones

In "Working With Monologues For Rehearsal And Development" you will develop ten sessions of study on monologues. The study contains the definition and history of the monologue; monologue vocabulary; analysis of a practice monologue, staging a short monologue; working with musical theatre lyrics as a monologue; writing short autobiographical monologues. At the end of this course, you will have a curriculum which can be used as introduction to monologue work.

Introduction to Teaching Mask: 2nd Edition

by Allison Williams

In Introduction to Teaching Mask: 2nd Edition, Allison Williams gives you a toolkit of mask and movement exercises to teach students to make big, confident physical choices, to work in their bodies, and play different characters - masked and unmasked. By working through the exercises in this course, you, the teacher, will also gain an understanding of basic physical acting and learn some easy specific tools to coach your students – not just in mask, but in all their performance work. Access to masks is required, but previous experience with masks is not.

Strong Ensemble = Strong Play

by Craig Mason

This mini-course will give you a toolkit to bring your shows to the next level by having an engaged, active, ensemble. The ensemble is a critical part of a large cast show. But you can't leave them to fend for themselves. They need structure. They need exercises and activities. In Strong Ensemble = Strong Play, you'll be given ensemble-building exercises. You'll also discover specific activities that will help your ensemble become three-dimensional characters who have something to do and something to play in every moment they are on stage. We'll look at case studies that take the exercises learned in the course and apply them to specific shows.

The Top Ten Playwriting Exercises

by Lindsay Price

The Top Ten Playwriting Exercises Course not only gives you ten great exercises to ease your students into the playwriting waters, it's also going to give you the confidence to teach playwriting to your students. Each exercise comes with instruction, why the exercise is important, how to assess the exercise and something specific for you to try. Many of the modules include assignments and rubrics so you will be fully prepared to comprehend, apply and teach every these exercises.

Creating the Ensemble-Based Classroom

by Gai Jones

Gai Jones will help you establish an ensemble-based environment from the first day of class or rehearsal. Learn how to set up your ensemble-based classroom from day one, get students to set classroom norms, and find the balance between creative activity and structure. You’ll learn how to give your students creative freedom through structure and classroom management. The cornerstone of this course are the detailed ensemble experiences from large group to small group and even individual experiences. This course culminates in a devising model that you can use with your students, and takes you through process, product, performance and an evaluation. You too can create the ensemble-based classroom.

Social Emotional Learning through Game Play

by Matt Webster

The skills identified in Social Emotional Learning are the same skills theatre teachers spotlight in the warmups, games, and activities, as well as group work and theater-related assignments found in the drama curriculum every day. This course will break down the various games and activities in the drama classroom to identify, incorporate, and intensify the Social Emotional Learning outcomes we want our students to achieve. By the end of this course, you will be able to identify the five components of Social Emotional Learning and see the places in the curriculum where they intersect with basic games and activities in the drama classroom.

Serious Play: Theatre Games and Warmups for Rehearsal and Ensemble Building

by Todd Espeland

In this class, Serious Play, the instructor will lead you through a series of games in risk, movement, focus, and voice. You will get access to a series of all inclusive games that you can string together to make one giant game that is great to use in rehearsal. You will learn how and when to use these games. You'll get ideas on how to craft your own warm-up lesson plan; and, most importantly, you'll learn about about a pre-class warm-up that you can do on your own so that you can get yourself into that third stage of the creative brain, so that you can begin trying out interesting, creative, and risky choices for yourself in your classes and in rehearsals.

SEL Through the Lens of Theatre

by Christa Vogt

SEL stands for Social Emotional Learning. Theatre teachers know that Social Emotional Learning and its categories: Self-Awareness, Self-Management, Social Awareness, Relationship Skills and Responsible Decision Making, are innate in what we do. The goal of this mini-course is to show you that you can take SEL in the way that your administration wants you to, using the language they want you to use, and apply it to lessons you already teach. Instructor Christa Vogt will take you through the facets of SEL, and then take you step by step through an activity - to show you how you can apply SEL to each and every step.

Commedia I: Playing Comedy

by Todd Espeland

Commedia dell’arte is a 16th Century masked acting form. It’s the basis of all comedy and it’s a form that many teachers want to include in their curriculum. Instructor Todd Espeland has designed two courses that work hand-in-hand with teaching this fantastic physical form. In Commedia I: Playing Comedy - Todd teaches the principles of comedy through four key elements: status, appetite, swing, and intention/invention. This course provides an excellent foundation upon which to explore Commedia to its fullest. Includes bonus videos, handouts, reflections, and exit slip question ideas for each lesson.

Commedia II: Style

by Todd Espeland

Commedia dell’arte is a 16th Century masked acting form. It’s the basis of all comedy and it’s a form that many teachers want to include in their curriculum. Instructor Todd Espeland has designed two courses that work hand-in-hand with teaching this fantastic physical form. In Commedia II: Style - Todd moves on to the specific style of Commedia dell’arte. This includes a history of commedia, the stock characters and how to physicalize them, sample lazzi and a capstone assignment. The course includes video demonstrations so you can see the exercises and activities in action.

Playwriting Outside the Lines

by Steven Stack

Instructor Steven Stack leads this course in a unique way to teach playwriting. He will show you how to set foundations and guide posts for your students, and then give them freedom to play. The intent is to help students develop their own voice and create for creating sake. The 5 modules lead teachers through how to use this style of teaching playwriting, and includes handouts and resources to support the learning.
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