Acting Lesson Plans
A library of lesson plans to help you effectively plan your workshops and classes.
Initial Blocking
by Lindsay Price
Students will identify and notate existing blocking for their scenes. They will also walk through each section beat by beat and notate further blocking.
- Slide Deck Lesson 7
Initial Blocking
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Intention Substitution
by Drama Teacher Academy
In this lesson, students will return to the Laban technique. They will practice applying the elements and efforts before taking on a specific exercise that will give students another tool for their toolbox in working on a scene.
- Slide Deck Lesson 5
- Trinculo Oh My
Intention Substitution
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Intention/Invention
by Todd Espeland
This lesson introduces the fourth tool: intention/invention. Intention is what a character wants (it can also be called their need). Invention is the thing they need to invent to get their need.
- Do it Intention Video Demo
Intention/Invention
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Intro to Improv for Musical Theatre
by Annie Dragoo
Students will demonstrate an understanding of improv guidelines by using them in an exercise. This is an introductory improv lesson that is designed to build upon the actors’ tools in future lessons.
Intro to Improv for Musical Theatre
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Introduction
by Anna Porter
Have students create a situation from a picture and examine the given clues to help fill in the gaps. Next, have students examine the clues in a contentless scene, then fill in the gaps to create their own scenario to perform.
- Contentless Scene Scenario Worksheet
- Contentless Scene Script
Introduction
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Introduction
by Karen Loftus
Students begin their exploration of commedia dell’arte with some facts about the era and participate in some exercises that realize the concepts of the era.
- Slide Deck Lesson 1
Introduction
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Introduction
by Drama Teacher Academy
In this lesson, students will explore character movement and will be introduced to dance theorist Rudolf Laban’s definition of human movement. This technique will be the foundation for the character development in this unit.
- Slide Deck Lesson 1
Introduction
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Introduction and the Running Man
by Allison Williams
Students will be introduced to the unit through the running man exercise. This exercise demonstrates how physically committing to a specific set of actions creates a sense of emotion without the actor having to play the emotion.
- Stretching Routine
- Slide Deck Lesson 1
- VIDEO: Running Man Example 1
- VIDEO: Running Man Example 2
Introduction and the Running Man
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Introduction and Warm-Up Exercises
by Gai Jones
In this lesson, students will be introduced to the objective of the unit (to write an autobiographical monologue), reflect on their thoughts and fears when it comes to the writing process, and engage with exercises that introduce the concept of using personal connection and narrative to create characters.
- Slide Deck Lesson 1
- ABC Free Association
- Pre-Write Questions
- CWOW
- Character Labeling Lines
- Characters Based on News Headlines
- Character Based on News Headlines Example
Introduction and Warm-Up Exercises
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Introduction to Dance
by Anna Porter
Students will understand the importance of endurance, emotion, and commitment in movement when performing. They will also gain an understanding of how to pick up choreography by learning the concepts of routine and anticipation.
- Slide Deck Lesson 3
Introduction to Dance
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Introduction to Monologue Writing
by Matthew Banaszynski
Students will start the process of writing a monologue by storytelling. They will tell a story based only on what they observe in a picture.
- Slide Deck Lesson 1
- Pictures
Introduction to Monologue Writing
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Introduction to Pantomime
by Anna Porter
Students will warm up using a pantomime interview and a relaxation exercise. Students will go on a pantomime hike and participate in a “pretend you are walking” game at the end of the lesson.
- Pantomime Interview
- Pretend You Are Walking Scenarios
- Relaxation Exercise Prompts
- Slide Deck Lesson 1
Introduction to Pantomime
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Introduction to the Audition Process
by Lindsay Price
In order to partake in the audition process, students need to identify and comprehend the necessary steps in that process. What is the auditioning process? Why is it used? Is the process fair? Why or why not? The class ends with students playing director in the “Who Would You Cast?” Exercise.
- Slide Deck Lesson 1
Introduction to the Audition Process
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Ira Aldridge: Changing The Story
by Drama Teacher Academy
American actor Ira Aldridge was a pioneer and an activist. He was a celebrated 19th-century Shakespearan actor in England and Europe and one of the first black men to play the role of Othello.
In this lesson, students will learn more about his story and about how he changed his story several times throughout his career. Students will reflect on the concept of changing one’s story in the face of adversity. Rubrics are provided.
Ira Aldridge: Changing The Story
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Laban and Voice
by Drama Teacher Academy
In this lesson, students will practice applying the elements and efforts before choosing an effort to perform a monologue based on text analysis and the given situation for their characters.
- Slide Deck Lesson 3
- Sound and Motion
- The Vowel Tree
Laban and Voice
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Lazzi
by Karen Loftus
Students learn about different commedia lazzi and create their own.
- Slide Deck Lesson 4
Lazzi
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Lazzi
by Todd Espeland
In this lesson, students will be introduced to lazzi. Lazzi are solo comic beats to show off a character and their needs. Students will then create and perform a solo lazzi.
Lazzi
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Make Choices/Bring Information
by Karen Loftus
Students learn the word “endow” and apply the concept through the exercise Low Risk Endowment.
- Slide Deck Lesson 2
Make Choices/Bring Information
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Make Your Partner Look Good
by Karen Loftus
Students apply this guideline through the games Cars, Vans, Buses, Blocking on Purpose, Questions Only and Here Comes Charley.
- Slide Deck Lesson 4
Make Your Partner Look Good
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Mask and Countermask
by Allison Williams
All masks can be played in more than one way, even if there’s a dominant look. In this lesson, students will explore how two physical interpretations paired with each other and opposite to each other become the mask and the countermask—the opposite reaction. They will then apply the qualities of movement to their mask/countermask.
- Slide Deck Lesson 5
- VIDEO: Countermask Narration
Mask and Countermask
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