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Displaying items 361-380 of 721 in total

Audience Etiquette

by Kerry Hishon

Theatre does not happen without an audience. It’s important for students to be aware of and apply audience etiquette. In this lesson, students will explore the different ways an audience behaves depending on the event, what is bad audience behaviour, establish the rules, practice critical thinking as an audience member, and complete an exit slip to demonstrate comprehension.

Impossible Things are Happening Every Day

by Lea Marshall

Students will create a scene where impossible things happen and there isn’t a conventional response. This is a multiple-class lesson.

Session 2

by Lindsay Price

Students are introduced to the concept of specific detail in pantomime and apply it in nonverbal exercises.

History of Commedia

by Todd Espeland

This lesson presents the history of Commedia; where it came from and introduces the main characters. It comes with a viewing quiz and reflection.
Attachments

Part 1: The Costume Designer

by Karen Loftus

Students are exposed to research, concepts, and skill sets while they explore costume design and the role of the costume designer. They will be able to demonstrate their knowledge of costume effectiveness.
Attachments

Breath Support

by Elisabeth Oppelt

Being able to control how much air comes out as you speak allows you to speak loudly without damaging your voice. It also lets you choose where to pause. This lesson teaches students the basics of breath support and exercises to practice controlling the breath. Students will demonstrate their ability to control their breath support by participating in a series of exercises, culminating with an attempt to say all fifty states of the union in one breath.

Where Do Ideas Come From?

by Lindsay Price

In this lesson, students will explore different methods of gathering ideas.

Ensemble Building

by Lindsay Johnson

In this first lesson at the start of a new year, students learn daily classroom routines, participate in a name game, and complete a successful journal entry reflecting on circle discussion. They will begin to interact with the Weekly Ensemble Rubric through the journal element.
Attachments

Exploring Spoken Word Poetry

by Kerry Hishon

The objective of the lesson is for students to create and perform a spoken word poetry piece. Spoken word is poetry that is meant to be performed for an audience, rather than just read on a page. It allows students the opportunity to share their thoughts, and provides a platform for them to do so. It also builds on important performance skills taught in the drama classroom, including memorization and rehearsal, vocal projection, enunciation, tone, gestures and facial expressions, and confidence.

Shakepeare's Words: Iambic Pentameter

by Kerry Hishon

The objective of the lesson is for students to learn what iambic pentameter is and to have the opportunity to create their own monologues using iambic pentameter. This lesson is a useful complement towards studying classical works by playwrights such as William Shakespeare.

Review Journal and Intro to Say Yes Rubric

by Lindsay Johnson

In this second lesson, students continue to practice classroom norms and interact with a second element of the Weekly Ensemble Rubric: SAY YES. Students will role-play a column of the SAY YES category of the Weekly Ensemble Rubric in small groups via a performance task.
Attachments

The Color Wheel

by Holly Beardsley

Students will apply the color wheel to an understanding of theme and mood in scenic design.
Attachments

Characters in the Comedy of Manners

by Lindsay Price

The Comedy of Manners is a style of comedy that uses satire to highlight the behaviours, actions, fashions, and “manners” of a segment of society. Students will explore characters in the comedy of manners and then create a comedy of manners character profile with one of the characters from The Importance of Being Earnest.

Speak the Speech

by Lea Marshall

To introduce the Aristotelian element of Diction.

Intro to Scripts

by Lindsay Johnson

In this introductory lesson, students will be able to define “script” and “dialogue.” They will begin to brainstorm characters/relationships, setting, and conflicts to add content to a contentless scene that they will work on for the rest of the unit. Students will use a variety of methods they’ve learned in the previous unit to communicate meaning: setting, pantomime, relationship clues, objectives, stakes, and tactics.
Attachments

Dramatic Rules Game

by Kerry Hishon

The objective of this lesson is for students to think quickly and creatively by demonstrating a common rule or concept in an unusual way, using various theatrical techniques.

Technical Theatre Performance Challenge

by Kerry Hishon

Students will work in small groups to devise a one-minute long theatrical piece from a prompt. They will create a performance, create a prompt script, assign Stage Manager and Technical Operator roles, rehearse the piece, and perform it for the rest of the class. Depending on your time allowance, this lesson could be completed in one class using only items found in the classroom; or this lesson can be spread over four classes (one class to assign and plan, one class to rehearse, one class as a technical/dress rehearsal, and one class as a performance and discussion/reflection class).

Looking Back and Looking Forward

by Kerry Hishon

The objective of this lesson is for your current students to reflect upon their experiences and new knowledge at the end of a school/class production. Then they will use that information to create a useful document for future drama students, such as a “drama transition manual” or a “what to expect during your production” document.

The Acting Resume

by Todd Espeland

What should go on and what should stay off of an acting resume? What is an auditioner looking for? Students will discuss the purpose of an acting resume, review a model, create their own and reflect on the process.

The Theatre

by Karen Loftus

Students are introduced to aspects of Ancient Greek Theatre and the performing space. The session culminates in students creating their own choral ode in groups.
Attachments