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Displaying items 861-880 of 941 in total
Unit 11 of 13 in Stagecraft Without a Theatre Curriculum

Make-Up Design

by Karen Loftus and Josh Hatt

1 lesson
Students will be able to explore the use of make-up as a theatrical tool and demonstrate their knowledge of make-up effectiveness.
Unit 1 of 6 in Technical Theatre Mini Units Curriculum

Lighting

by Josh Hatt

5 lessons
This is an introductory mini-unit to lighting that can be achieved whether or not you have a lighting system. Students will work toward being able to demonstrate their knowledge of lighting effectiveness. The questions of the unit include: How can light affect a scene? How can lighting affect the audience? What is the mood of the scene? How does lighting play a part in creating mood? How can you use shadows onstage? How does color impact the scene?
Unit 12 of 14 in Drama One Curriculum

Scenic Design

by Karen Loftus

7 lessons
This unit will focus on the basics: what is scenic design? How do the scenic designer and director collaborate? What is the process that the scenic designer goes through? The unit will also explore basic drafting techniques, and rendering techniques. Based on what they learn, students will create a ground plan and a rendering. Please refer to the Pacing Guide for more details and ways to supplement with other DTA materials.
Unit 13 of 14 in Drama One Curriculum

Front of House

by Karen Loftus

3 lessons
This unit looks at theatre jobs in the business category: front of house, marketing, and box office. The aim of these jobs is to interact with the public. Students are able to identify what “front of house” refers to and understand the various roles of a theatre company’s front of house members. Students will also explore how a show is marketed and demonstrate their knowledge of marketing by creating a simple marketing campaign for an original show.
Unit 8 of 13 in Stagecraft Without a Theatre Curriculum

Sound

by Karen Loftus and Josh Hatt

2 lessons
Students will be able to demonstrate their knowledge of sound effectiveness. How do we use sound to create a technically effective performance?

Virtual Acting for the Camera

by Ruthie Tutterow

4 lessons
The unit is adapted for a virtual environment. The purpose of this unit is for students to know the differences and practice skills for film versus stage acting. They should also know the basic vocabulary of acting for the camera. It will also be helpful for them to get practice in editing. By seeing both sides of the camera, they will gain valuable experience in seeing what works from both the producing and acting side. Students will be able to see and reflect on their work.

Acting for the Camera

by Ruthie Tutterow

4 lessons
The purpose of this unit is for students to know the differences and practice skills for film versus stage acting. They should also know the basic vocabulary of acting for the camera. It will also be helpful for them to get practice in editing. By seeing both sides of the camera, they will gain valuable experience in seeing what works from both the producing and acting side. Students will be able to see and reflect on their work.
Unit 4 of 13 in Stagecraft Without a Theatre Curriculum

Scenic Construction

by Karen Loftus

4 lessons
Students will be able to identify the various tools used in a set shop, identify appropropriate shop safety procedures, including personal protective equipment, and demonstrate how to build a flat.
Unit 5 of 13 in Stagecraft Without a Theatre Curriculum

Scenic Painting

by Holly Beardsley and Karen Loftus

3 lessons
Students identify and practice some basic painting techniques.
Unit 13 of 13 in Stagecraft Without a Theatre Curriculum

Culminating Project

by Karen Loftus

Now it’s time for your students to take everything they’ve learned and creatively apply those skills. The goal is for students to take what they’ve been exposed to, explored, and researched about each of the arts and crafts of technical theatre and apply it to a project.
Unit 6 of 13 in Stagecraft Without a Theatre Curriculum

Props

by Karen Loftus and Kerry Hishon

4 lessons
Students will identify categories of props and which people create or obtain props. They’ll analyze a script for needed props, use critical-thinking skills to problem solve prop issues, and create a prop.
Unit 10 of 13 in Stagecraft Without a Theatre Curriculum

Costume Construction

by Karen Loftus

3 lessons
Students identify vocabulary, techniques, and roles of costume construction. They demonstrate costume measurement and other construction techniques, including a basic stitch.
Unit 3 of 13 in Stagecraft Without a Theatre Curriculum

Scenic Design

by Karen Loftus

6 lessons
Students will explore the creation of an environment through the art of scenic design. They will identify what scenic design is and how it helps to tell a story in theatre. Students will also identify and demonstrate some skills of a scenic designer as they analyze an excerpt of a script for scenic clues and demonstrate basic drafting and rendering.

Theatre Etiquette

by Kerry Hishon

5 lessons
When teaching students who are brand new to theatre, it’s important to discuss and apply the expectations of the drama classroom and the theatrical world. How do you implement and instill theatre etiquette in your classroom and your rehearsals – before a show and backstage? A cohesive theatrical community starts with the rules and codes of behaviour both onstage and off. Topics covered within the unit include: What is Etiquette, Real World vs Theatre World Etiquette, Audience Etiquette, Audition Etiquette, Pre-Show and Performance Etiquette. The unit ends with a culminating activity which included a rubric and reflection.

Blood, Blisters & Bruises Makeup

by Matt Webster

5 lessons
The most common special-effects makeup technique used with student performers is wounds such as cuts, bruises, and blisters. In order to create these wounds, students must understand what physically happens to the human body when a wound is suffered and then successfully recreate that wound with specialized makeup. This unit will provide students with information they will need to successfully design and execute specific wound makeup techniques for the stage. This unit is designed to lead students through a hands-on exploration of the techniques used to create a wound effect with makeup. By focusing on a variety of materials and techniques, students will learn the process of creating simple special-effects wound makeup designs.

Musical Theatre History Museum Project

by Annie Dragoo

8 lessons
Musical Theatre is a uniquely American art form, explored through this unique unit by instructor Annie Dragoo. It is divided into two parts: first, students view a documentary called Broadway the American Musical - available on YouTube. Students will reflect after each episode and there is an available viewing quiz. After viewing, discussing and reflecting on each episode of the PBS Documentary, Broadway: The American Musical, students will research a specific topic in order to create and design a musical theatre museum exhibit. It’s a great three-dimensional demonstration of knowledge, and there is a rubric provided for the completed exhibit. This is not your traditional textbook history learning!

Ancient Greek Theatre - It's All Greek to Me! *Hyperdoc

by Lea Marshall

1 lesson
The purpose of this unit is to give students an introduction to independent learning as well as an overview of Ancient Greek theatre. Students will apply their knowledge throughout, and the unit culminates in a group activity. This unit is delivered in hyperdoc format. What does that mean? A hyperdoc is an interactive tool that encourages digital learning. In this case, students are given a document on a subject, and there they can read articles, watch videos, do some independent research, and apply what they’ve learned. Because they’re working on their own, students are in charge of their own pacing. Before you start the unit, ensure you read the Teacher Guide first. It will give you clear instructions on how to distribute the hyperdoc format and make it easy for you and your students.

Working With Monologues For Rehearsal And Development

by Gai Jones

11 modules 2 hours, 9 minutes 4 Credit Hours
In "Working With Monologues For Rehearsal And Development" you will develop ten sessions of study on monologues. The study contains the definition and history of the monologue; monologue vocabulary; analysis of a practice monologue, staging a short monologue; working with musical theatre lyrics as a monologue; writing short autobiographical monologues. At the end of this course, you will have a curriculum which can be used as introduction to monologue work.

The Top Ten Playwriting Exercises

by Lindsay Price

11 modules 3 hours, 1 minutes 6 Credit Hours
The Top Ten Playwriting Exercises Course not only gives you ten great exercises to ease your students into the playwriting waters, it's also going to give you the confidence to teach playwriting to your students. Each exercise comes with instruction, why the exercise is important, how to assess the exercise and something specific for you to try. Many of the modules include assignments and rubrics so you will be fully prepared to comprehend, apply and teach every these exercises.

Introduction to Teaching Mask: 2nd Edition

by Allison Williams

13 modules 2 hours, 13 minutes 6 Credit Hours
In Introduction to Teaching Mask: 2nd Edition, Allison Williams gives you a toolkit of mask and movement exercises to teach students to make big, confident physical choices, to work in their bodies, and play different characters - masked and unmasked. By working through the exercises in this course, you, the teacher, will also gain an understanding of basic physical acting and learn some easy specific tools to coach your students – not just in mask, but in all their performance work. Access to masks is required, but previous experience with masks is not.