North Carolina Essential Standards 2024
Seventh Grade Present
13 units • 6 professional development courses aligned to
7.PR.2.2 - Compare the expectations of an audience in different venues.
View all Standards for North Carolina Essential Standards 2024
7.PR.2.2 Compare the expectations of an audience in different venues.
This page lists 13 units and 6 professional development courses aligned to 7.PR.2.2 from the North Carolina Essential Standards 2024. Designed for drama teachers, these resources directly address 7.PR.2.2 - Compare the expectations of an audience in different venues.
Unit
4
of
8
in
Middle School
Curriculum
UNIT
Unit Four: Intro to Scripted Scenes
by Lindsay Johnson
10 lessons
Students will be introduced to the most basic of scripts: the contentless/open scene script. They will use their knowledge of character/relationships, setting, objective, and tactics to add content to a contentless scene. Students will also learn the basics of set design and blocking, and will begin using voice expression to communicate clearer characters. The unit culminates in a performance assessment in which students will work in pairs to add content to and perform a contentless scene.
Unit
5
of
8
in
Middle School
Curriculum
UNIT
Unit Five: Intro to Script Writing
by Lindsay Johnson
7 lessons
In this unit, students learn how to write their own scripts using correct formatting. These scripts will be more detailed than the contentless scenes. Students will learn how to write dialogue that provide information about relationships, conflicting objectives, and setting.
They’ll also learn how to correctly add expression and movement directions into the script itself. The unit will end with a partner script writing assignment which is performed in front of the class.
Unit
6
of
8
in
Middle School
Curriculum
UNIT
Unit Six: Directed Scenes Take 1: Same Scene, Different Visions
by Lindsay Johnson
9 lessons
Students will now start applying the skills they’ve learned thus far in the context of existing, fleshed-out scripts.
They will also have opportunities to shift from actor to director and hone such skills as collaboration, self-confidence, and problem-solving which can be used in many other areas of their lives.
Unit
7
of
8
in
Middle School
Curriculum
UNIT
Unit Seven: Directed Scenes Take 2: A Variety of Scenes
by Lindsay Johnson
10 lessons
Students will have another opportunity to participate in student-directed scenes, only this time each director will be assigned a different script, and actors for each group will be chosen by the teacher based on individual strengths and challenges, rather than holding auditions.
Actors will take a deeper dive into character physicality and use of levels in staging this unit. Directors will continue to create a set design and block the scenes, adding props as well in this unit.
The unit culminates in actors presenting their directed scenes to the class.
Unit
8
of
8
in
Middle School
Curriculum
UNIT
Unit Eight: Theatre of the Oppressed
by Lindsay Johnson
10 lessons
Students will have a chance to merge their understanding of scene elements with their improvisation skills in this final unit based on Augusto Boal’s Theatre of the Oppressed. Theatre of the Oppressed is a style of theatre specifically created to highlight the injustices of power and oppression in society and to problem-solve ways to bring about change.
Starting with image theatre techniques to identify issues of power and oppression, students will then use forum theatre to create scenarios of oppression taken from their own lives and improvise realistic solutions.
The unit culminates in a performance in which students participate as both actors in a scene they create themselves and spect-actors in scenes created by their peers.
Unit
9
of
10
in
Musical Theatre
Curriculum
UNIT
Musical Theatre Audition Technique
by Drama Teacher Academy
9 lessons
Auditioning is a skill. It takes a lot of work to prepare to audition for a role. When students audition for a musical, there are even more skills needed as you will have to sing and dance.
In this unit, students will explore the specifics of musical theatre audition technique (such as creating a musical theatre portfolio) and participate in a mock audition where students will prepare 16 or 32 bars of a song and perform a dance step in the style of a specific character.
Unit
13
of
14
in
Drama One
Curriculum
UNIT
Front of House
by Karen Loftus
3 lessons
This unit looks at theatre jobs in the business category: front of house, marketing, and box office. The aim of these jobs is to interact with the public. Students are able to identify what “front of house” refers to and understand the various roles of a theatre company’s front of house members.
Students will also explore how a show is marketed and demonstrate their knowledge of marketing by creating a simple marketing campaign for an original show.
UNIT
Ancient Greek Theatre - It's All Greek to Me! *Hyperdoc
by Lea Marshall
1 lesson
The purpose of this unit is to give students an introduction to independent learning as well as an overview of Ancient Greek theatre. Students will apply their knowledge throughout, and the unit culminates in a group activity.
This unit is delivered in hyperdoc format. What does that mean? A hyperdoc is an interactive tool that encourages digital learning. In this case, students are given a document on a subject, and there they can read articles, watch videos, do some independent research, and apply what they’ve learned. Because they’re working on their own, students are in charge of their own pacing.
Before you start the unit, ensure you read the Teacher Guide first. It will give you clear instructions on how to distribute the hyperdoc format and make it easy for you and your students.
UNIT
The Role of the Theatre Critic
by Lindsay Price
5 lessons
In the 21st century, we are living in a time of great change for criticism and the role of the critic. Previously, one negative review from the New York Times could close a Broadway show. Now the audience as critic is a topic of much debate. Are professional critics and informed opinions necessary? What is the power of the audience critic? What is the role of the critic and the role of criticism in today’s theatre?
This unit will take students through a brief history of the theatre critic from the 500 reviews that came out of Ibsen’s one-night performance of Ghosts in 1891, to the tumultuous landscape of social media criticism. Students will then apply what they’ve learned by writing on or theatricalizing the role of the critic in a culminating assignment.
UNIT
Anti-Realism
by Wendy-Marie Martin
7 lessons
This unit gives students an overview of the anti-realism movement of the late 19th century and early 20th century and introduces them to some key theorists, playwrights, and theatre makers involved in this movement. Students will be introduced to the “isms” of symbolism, Dadaism, surrealism, expressionism, and absurdism along with various manifestos and theories as we track the characteristics of each “ism.”
In a culminating project, students will design an “ISMS’’ Theme Park, which they will share with the class at the end of the unit. Their project will feature each of the five “isms” in the form of rides, themed concessions areas, entertainment options, and in-park characters.
UNIT
Theatre Radically Reimagined: Exploring Artaud, Grotowski, and Boal
by Ruthie Tutterow
2 lessons
In this unit, students will learn about Antonin Artaud and how his ideas influenced avant-garde theatre in the 20th and 21st centuries. They will also learn how Jerzy Grotowski took Artaud’s theories into new directions. This is done through direct instruction. A culminating presentation will ask students to take common stories and reimagine them using some of these ideas. They will present a “pitch” of an avant-garde version of their story. In the second lesson, students learn about some of the ideas of Augusto Boal and try a session of Forum Theatre.
UNIT
Screenplays 101: Basic Structure Unit
by Nicholas Pappas
5 lessons
Screenplays 101 is divided into two separate units: Basic Structure and Basic Formatting.
It is highly recommended that you complete the Basic Structure unit before moving on to the Basic Formatting unit.
In this unit, we will focus on a basic history of screenplays, screenplay terminology, and the most common screenplay structure in film—the three-act structure. Theatre is important because it allows our young artists to be trained and learn about work ethic and discipline, and it creates community. But, we should also give our students opportunity and access to the cinematic arts. This is primarily a lecture-based unit with a lot of new information, with opportunities for students to apply knowledge including a final culminating project.
UNIT
Play Adaptation Project
by Lindsay Price
5 lessons
Adaptation is a fabulous classroom project: it requires students to analyze, adapt, modify, plan, synthesize, and devise. However, it takes skill to write a successful adaptation; you can’t just throw a narrator into a script and consider the work done. In this unit, students will go through a step by step pre-writing process in order to prepare them to write their own adaptations. They will learn and practice the elements of adaptation before writing the first draft of their own theatrical adaptations.
View all Standards for North Carolina Essential Standards 2024 Standards Master List
