by Lindsay Price
The tragedy of a young boy's death is examined. Written in the Ladder play format the text runs in vertical columns for fuller choral work.
cutting and notes by John Minigan from the original by Shakespeare
A one act annotated version of Shakespeare's comedy filled with unrequited love, disguises, and a shipwreck.
by Amanda Murray Cutalo
Students have all mysteriously been cast in the “wrong” roles.
by Kathleen Donnelly
In a tiny third class cabin Emma dreams of a new life in America. But when the Titanic hits an iceberg, that dream becomes a nightmare.
by Christian Kiley
A look at a soothing world where complete dependency on technology takes away all ills. But is everything really perfect?
by Claire Broome
How can anyone make sense of a virtual platform?
by Jeffrey Harr
Wendy joins an online teen support group. However, she quickly discovers that the others are anything but typical.
by Lindsay Price
A vignette play all about waiting. Great scenes, great characters, flexible casting, easy staging.
by Lindsay Price
A middle school vignette play about waiting. Great scenes, great characters, flexible casting, easy to stage.
by Bradley Hayward
Julie would do anything to be just like her best friend Rhonda. But she soon finds out Rhonda's perfect world is a nightmare. Deals with sexual abuse.
by Alan Haehnel
A squirt gun would never be mistaken for a real gun, right?
by Lindsay Price
We all wear a mask. What will happen when the world sees who you really are?
by Michael Wehrli
A scripted talent show where YOU are the stars!
by Michael Wehrli
A competition-length version of We Open Tomorrow Night?!
by Christian Kiley
Three characters struggle with wellness in uncertain times.
by Lindsay Price
A moving interpretation of the classic carol Good King Wenceslas. With music, song, a touching message and great roles for actors of all levels.
by Forrest Musselman
Addresses anxiety and depression in teens.
by Alan Haehnel
Shakespeare's Sonnets come alive in this play where modern scenes play hand in hand with the original text. Very flexible casting.
adapted by Todd Espeland from Kenneth Grahame
A lively and theatrical adaptation of a wonderful classic.
by Jeyna Lynn Gonzales
Voices from a BLM protest.