Production Collection
Courses
PD COURSE
Beyond the Basics: Rehearsal Strategies to Grow Your Actors
by Julie Hartley
The focus of the teacher-director should be not only on the quality of the show, but on the value of the experience offered to student actors. This course takes you on this journey through practical rehearsal strategies that apply an ensemble approach.
This course starts with those all important first rehearsals, explores warm ups, and looks at character development. We examine specific types of plays, like classical texts and comedy, and conclude with strategies to solve common rehearsal problems.
Go beyond the basics!
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PD COURSE
Big Picture Blocking: Staging Your Play Outside-In
by Todd Espeland
Working in educational theatre I know how easy it is to get bogged down in actor coaching and away from the bigger picture storytelling when directing a show. I saw a need for a method of text analysis and physical staging tools that help the director stay focused on the bigger picture of telling the story of the play.
This class is in two parts: The first consists of the text analysis tools P.A.S.T.O and Major Dramatic Question. From these tools you will brainstorm keywords to define your vision of the story.
In the second part of the class you will focus on taking the information generated in the text analysis and crafting the ideas into vibrant physical pictures through an exercise called Starburst.
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PD COURSE
Concept-Based Design for the Theatre Teacher
by Matt Webster
Concept-Based Design is a method of design that allows the director and production team to create a unified world based on the ideas, perceptions and images extracted from an in-depth analysis of the play. Matt Webster designed this course for theatre teachers in a typical school setting with limited budgets, space and materials to use towards the design of their shows. Many theatre teachers feel most unsure about their design and tech skills and Matt wanted to help those teachers look at design differently, and make designing a show a little less scary and a little more fun!
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PD COURSE
The Dilemma Project
by Claire Broome
Moral dilemmas are not only faced by characters in gripping plays, but are also faced by our students. The project outlined in this course will help students develop their critical thinking skills through the use of one of the dilemma questions to shape a student written production.
If you had the choice to press a button and earn $25,000,000... but a species (not of your choosing) would become extinct, what would you do? More importantly, what would your character do?
Join drama teacher and playwright Claire Broome through this course which includes role-playing, Stanislavski’s Magic If, character creation, playwriting and staging.
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PD COURSE
From Audition to Curtain Call: Directing Youth Theatre
by Steven Stack
Directing youth theatre can be one of the most thrilling, rewarding, and exhausting jobs there is – because it’s not just about staging a play. It’s about creating an environment that fosters hard work, dedication, trust, and the willingness to take chances, to “play without fear.”
As a writer/teacher/director of youth theatre for over 15 years, I have developed tools and strategies that enable my students and me to focus on the process of creating theatre while fostering an environment that leads to creative freedom and a cohesive groups that doesn't act as individual “stars,” but as a community of one.
In this course, I will share with you these tips and strategies, along with the ways to implement them in your theatre environment.
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PD COURSE
Maximizing Your Ensemble: Shoestring 101
by Michael Calderone
This seven-part series is designed to transform that gaggle of actors cluttering your backstage from cumbersome extras into nothing less than the very center of your production.
Instructor Michael Calderone leads this course, through games and exercises geared to maximize your ensemble for your next production. These lessons are based on the ensemble technique that he's been using for the last 30 years, called the shoestring method.
The ensemble has a responsibility to work as one, and no role is more important than another. Without each actor playing their part, the other actors cannot tell the story to the best of their abilities. So join Michael in learning more about this exciting, practical and dramatic method.
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PD COURSE
The Production Classroom
by Karen Loftus
In The Production Classroom, instructor Karen Loftus will show you how to explore ways that you can produce shows during your regular class time. The course gives you a series of exercises and reflections that help you determine everything, from the type of show you may want to do, to the way you can divide up your class and responsibilities, to specific assignments that will keep your students engaged and focused.
The Production Classroom is the ultimate in project-based learning. Students learn to work collaboratively while setting goals and working towards a successful finished project. The course includes exercises and strategies to use with students to help assure their success in the production. Multiple examples and anecdotes help you to envision what the production classroom could look like in your room, performance space or theatre.
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Curriculum
CURRICULUM
Production Classroom Units
by Karen Loftus
Producing a show together as a class is the ultimate in both project-based learning and using higher-order thinking skills. Students will gain experience in working in a group, time management, conflict resolution, and other interpersonal skills necessary to working as part of a creative team.
By breaking down the production process into specific sections, you can ensure that your students have the necessary skills to produce a successful show. In addition, whereas trying to take a show from audition to performance usually feels rushed, The Production Classroom allows you to really dive deep into the production process. These units could easily be spaced out over the course of a semester or over the course of an entire year.
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CURRICULUM
Stagecraft Without a Theatre
by Karen Loftus, Holly Beardsley, Kerry Hishon, and Josh Hatt
Instructor Karen Loftus has an impressive stage management resume, but she has also taught Stagecraft in a portable classroom. There was no lighting grid, no sound equipment, no place to build sets, props or costumes. This experience led to this curriculum: Stagecraft without a Theatre.
Through exposure, exploration, and project-based learning, students identify and understand the various areas of technical theatre including scenic design, lighting, sound, costumes, and makeup.
The curriculum culminates with a project where students work in groups to design and plan technical elements as they would for a production, and then simplify those designs to work in a classroom setting: Stagecraft without a Theatre.
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Units
UNIT
Elements of Costume Design *Hyperdoc
by Anna Porter
In this unit, students will explore and collaboratively take on the role of costume designers. Students will explore the elements of design, director’s concept, and the considerations for costume design. They will then apply this knowledge in a culminating project.
This unit has been designed to integrate technology into the curriculum. Students will utilize technology throughout via HyperDocs, internet research, and Google tools such as Google Drive, Google Forms, Google Slides, and Google Docs. A digital Learning Tools Introduction resource is provided for additional help in using the different tools and applications.
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UNIT
Introduction to Set Design *Hyperdoc
by Lea Marshall
The purpose of this unit is to give students an introduction to independent learning as well as an overview of Set Design. Students will apply their knowledge throughout, and the unit culminates in a group activity.
This unit is delivered in hyperdoc format. What does that mean? A hyperdoc is an interactive tool that encourages digital learning. In this case, students are given a document on a subject, and there they can read articles, watch videos, do some independent research, and apply what they’ve learned. Because they’re working on their own, students are in charge of their own pacing.
Before you start the unit, ensure you read the Teacher Guide first. It will give you clear instructions on how to distribute the hyperdoc format and make it easy for you and your students.
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UNIT
Mock Audition
by Lindsay Price
In this Mock Audition Unit, students will start by discussing the audition process. They will make connections between their personal views and the process. Students will then apply the steps of auditioning from putting together a resume, to choosing a piece based on provided information, to audition etiquette, to the actual audition itself. A final reflection and rubric are provided for use at the end of this unit.
A short play is included that can be used as the source material. You can also choose your own play for this process.
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UNIT
Stage Management
by Karen Loftus
A unit on stage management is a great way to link technical theatre, acting, and even directing. We spend so much of our class time on performance-related projects and, when we do address technical theatre, we often do so by talking about design.
Why not introduce your students to a skill set that not only benefits your productions by ensuring a strong backstage crew and smooth production process, but also benefits the students individually? Through exploring stage management, students learn skills such as analytical thinking, organization, teamwork, and problem solving.
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UNIT
Theatre Etiquette
by Kerry Hishon
When teaching students who are brand new to theatre, it’s important to discuss and apply the expectations of the drama classroom and the theatrical world. How do you implement and instill theatre etiquette in your classroom and your rehearsals – before a show and backstage? A cohesive theatrical community starts with the rules and codes of behaviour both onstage and off.
Topics covered within the unit include: What is Etiquette, Real World vs Theatre World Etiquette, Audience Etiquette, Audition Etiquette, Pre-Show and Performance Etiquette. The unit ends with a culminating activity which included a rubric and reflection.
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Resource Categories
Individual Resources
RESOURCE
BIPOC Streaming Shows
In these times, it’s important to know if the BIPOC play you want to do can be livestreamed, recorded, or performed virtually. We’ve put together a list of plays and playwrights with all that information.
As with all classroom material, it is incumbent on the instructor to familiarize themselves with the material before introducing it to their classes. Read the plays first to make sure they fit within any district guidelines with regard to language and subject matter.
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RESOURCE
Bringing Black and Latinx Plays & Playwrights into the Drama Classroom
Every year we see top ten lists containing the most popular plays performed by students and studied in the drama classroom. Shakespeare makes the list every year. So does Arthur Miller. Some say that Our Town is performed every day of the year.
What is decidedly lacking from these lists are Black and Latinx plays and playwrights. These playwrights are writing and have been writing plays for years tackling the same themes as those on these top ten lists. The Theatrefolk Equity, Diversity & Inclusion Advisory Panel has assembled suggestions to include on your list for production and classroom study.
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RESOURCE
Do's and Don'ts for Producing BIPOC Plays
Use this list as a discussion starter for your students, or as a point of reference for your next production.
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RESOURCE
Public Domain BIPOC Plays
This resource is a of plays in the Public Domain by BIPOC writers, including links as to where you can find the texts. Any translations included are also in the Public Domain. Not all texts are available in an English translation but we have included them in their original language. We have included cautions, but as always, please make sure you read/review the scripts before sharing with your students.
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RESOURCE
Public Domain BIPOC Short Stories
This resource is a list of poems and short stories in the Public Domain by BIPOC writers including links as to where you can find the texts. Any translations included are also in the Public Domain. Not all texts are available in an English translation but we have included them in their original language. Please make sure you read/review the texts before sharing with your students.
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PLCs
PLC
Awesome Auditions
Hosted by Matt Webster, Lindsay Price, Claire Broome, Karen Loftus
How did your latest round of auditions go? Smooth sailing or full of choppy seas? This PLC will dive into best practices with the audition process whether it be for your spring musical or your next classroom production. Bring your best tips to share in the chat room.
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Attachments
PLC
Late Rehearsal Techniques
Hosted by Matt Webster, Lindsay Price, Jeremy Bishop, Lea Marshall
Your show opens in a week, but your kids aren’t ready, or worse still, they were ready a week ago! How do you keep them focused and fresh? How do you push them over the finish line? How does this seem to happen every year?? Join us for a conversation about ways to manage your rehearsals late into the rehearsal process so that everything comes together just right in the end.
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Attachments
PLC
Low Budget Solutions
Hosted by Matt Webster, Lindsay Price, Claire Broome, Jane McEneaney
You have a script, you have a space, you have some actors. What you don’t have is money! Can you still do a show? Will it be any good? Is there a way to get Broadway effects on a Main street budget? Join us to talk about low budget solutions to typical theatre problems and pinch those pennies ‘til they sing!
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Attachments
PLC
Production Pitfalls
Hosted by Matt Webster, Jeremy Bishop, and Heather Brandon
Production Pitfalls. We all know about how much fun the ups are, but how do we deal with the downs when we’re producing a play? What production pitfalls do YOU need help with? What was your biggest production-related frustration this year?
The discussion is led by Matt Webster, one of our awesome DTA instructors. Joining us are two DTA members: Jeremy Bishop and Heather Brandon.
Recorded June 25, 2015
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Attachments
PLC
Rehearsal Ruts
Hosted by Matt Webster, Lindsay Price, Karen Loftus, Jessica Fagerstrom
We are heading deep into rehearsal season and you can already feel the monotony starting to build: Rehearse, Review, Repeat. Rehearse, Review, Repeat. You are falling into a Rehearsal Rut. Never fear! We have just the conversation to shake up your routine and give your rehearsals a much needed shot in the arm. Get on board and get out of that rut!
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Attachments
PLC
Rock your next Rehearsal
Hosted by Matt Webster & Jeremy Bishop
Your rehearsal questions and challenges addressed!
Hosted by DTA instructors Matt Webster and Lindsay Price, and special guest - DTA member and teacher Jeremy Bishop.
Recorded on October 20, 2015 at 8pm.
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Attachments
PLC
Staging and Stage Pictures
Hosted by Matt Webster, Lindsay Price, Karen Loftus, Shelby Steege
The spring production season is upon us and shows are starting the rehearsal process. The cornerstone of any good production is good blocking, because good blocking makes good stage pictures. But are you using blocking to its maximum effect? Join us for a conversation about blocking and staging that is sure to spark your imagination.
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Attachments
PLC
To Cancel or Not to Cancel
Hosted by Lindsay Price, Matt Webster, Jeremy Bishop, Jessica Fagerstrom
Your show opens in a week and it is a train wreck! Actors aren’t off book, the set is just a pile of lumber, and you haven’t sold a single advanced ticket. Cancelling the show is the only option. Or is it…? Cancelling a show is one of the hardest decisions any drama teacher has to make, and it should never be taken lightly.
Join us as we hash out the pros and cons of cancelling a show (or not!).
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Attachments
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