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Play scripts recommended for high schools.
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Play scripts recommended for middle schools.
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book & lyrics by Lindsay Price, music by Kristin Gauthier
The Twelve Days of Christmas go on strike. Will the holidays be the same? A one act romp with music.
More Information / Pricing / Free Excerpt
by Lindsay Price
An emotional tug of war between a sister and brother and what really happens in the world of teenage marijuana use. A vivid personification of drugs.
by Dave Hammers
Sarah and Dave think it would be fun to direct a play for drama club. And they both love Julius Caesar. What could go wrong?
by Allison Williams
Put together a SFX crew and bring the radio sounds to life.
by Matthew Webster
A big fun online-friendly show in the style of a radio serial.
by Kirk Shimano
A one act play inspired by an ancient Sumerian myth depicting one of the first Mesopotamian gods.
by Christian Kiley
Rogue lives in a cardboard box but she doesn’t mind. Others want Rogue to leave but she isn’t budging. It's a showdown of stereotypes and self-identity.
The tragedy of a young boy's death is examined. Written in the Ladder play format the text runs in vertical columns for fuller choral work.
Robots will always do their jobs better than real people. And rules are what make the Factory productive.
by Treanor Baring
A 35 minute cutting of the original suitable for competition.
Three characters struggle with wellness in uncertain times.
Madeline has body issues. So much so that different body parts are coming to life and talking back. A shorter version of this body image play.
by Bradley Walton
A friend disappears from an online session.
The cross country road trip is the focus of this vignette play. Great for a classroom project or for competition. Short scenes with interesting characters.
adapted by Lindsay Price from Walt Whitman
A theatrical adaptation of a selection of Walt Whitman's civil war poems. See the words, the war, the blood come to life.
by Jeffrey Harr
Dancer loves to dance. But she is shy and a little insecure. How does she work past her feelings and let go? How does she dance like no one’s watching?
Three ghoulishly delightful plays.
We label people every day. We’ve done it in the past, we’ll do it in the future.
A group of teenagers grapple with unanswered questions as they try to understand why someone who has it all would kill themselves. Powerful monologues.
adapted by Laramie Dean from the novel by Mary Wollstonecraft Shelley
Thunder and lightning tear apart the night sky while two young women explore the story of Frankenstein
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