Yes, And... How to Teach Improv
Created by Jennine Profeta
“Yes, and…” is the guiding principle behind all improv. This course will teach you how to teach improv, and more importantly how to give feedback to your students. The course looks at making strong offers and also using gibberish to ironically improv communication skills. You will also see how feelings can safely be used to add flavour and get laughs in our scenes.
Jennine Profeta, Second City performer and theatre educator, leads this course with a clear methodology for teaching and giving positive nurturing feedback. This course will give you all the tools and the insight you need to teach improv with confidence.
-
0
-
1Lesson 1Yes, And...!13:52 FREE PREVIEWIn Lesson 1 you’ll learn three simple exercises that help you and your students learn the power of “saying yes” in improv.
-
2Lesson 2Telling Stories13:38 LockedYou’ll take what you’ve learned in Lesson 1 about saying “Yes, and...” and apply it to storytelling. You’ll encourage your students to think about “the group win” and stop thinking so much about how they can be the funniest person in the room.
-
3Lesson 3Strong Offers and Character15:42 LockedIn lesson 3 you’ll learn exercises that will help you and your students to “make strong offers” and create and develop strong characters.
-
4Lesson 4Environment and Object Work13:28 LockedNext up, you’ll focus on movement and environment and object work in improvisation. Various warm ups and activities allow you and your student to explore these concepts in depth.
-
5Lesson 5Gibberish14:06 LockedIthage kneja wa sena… Oops, sorry - this lesson is all about Gibberish! You’ll continue your work using the “gift giving” exercise and build upon it to create better scenes.
-
6Lesson 6Emotional Work19:31 LockedIn this lesson, we’ll incorporate emotions into scene work. Through warm ups and exercises, you’ll reinforce the idea that ideas are safe in the theatre classroom and we can play with them and see the effect they have on our scenes.
-
7Lesson 7Questions11:19 LockedIn Lesson 7 you’ll learn how questions affect a scene. Questions often hold performers back. In this lesson you’ll learn a new warm up and an exercise called “Job Interview.”
-
8Lesson 8Intro to Scene Work16:36 LockedYou’ll take all you’ve learned so far and start to apply it toward scene work. You’ll learn how to guide and support your students as they take this next step.
-
9Lesson 9Wrap-up5:56 LockedThis lesson is a wrap up and review of all of the wonderful warm ups, exercises and overall advice that you’ve learned about improvisation.
Standards Addressed
MS 117.211 LI - Foundations: Inquiry and Understanding
MS 117.211 LI - Creative Expression: performance
- C.2.B imagine and clearly describe characters, their relationships, and their surroundings.
- C.2.C select movements and dialogue to appropriately portray an imaginative character drawn from personal experience, cultural heritage, literature, and history.
- C.2.E express emotions and ideas using interpretive movements and dialogue.
MS 117.211 LI - Creative Expression: production
MS 117.212 LII - Foundations: Inquiry and Understanding
MS 117.212 LII - Creative Expression: performance
MS 117.212 LII - Creative Expression: production
MS 117.213 LIII - Foundations: Inquiry and Understanding
MS 117.213 LIII - Creative Expression: performance
HS 117.315 LI - Foundations: Inquiry and Understanding
- C.1.B develop and practice theatre preparation and warm-up techniques.
- C.1.C develop and practice stage movement techniques such as mime, pantomime, stage combat, Laban, Lecoq, or Viewpoints consistently to express thoughts, feelings, and actions non-verbally.
- C.1.F demonstrate a working knowledge of the language of theatre such as stage terminology, elements of theatre, or theatrical conventions.
- C.1.H define the roles of and appreciate the collaborative relationships between all artistic partners such as playwrights, composers, directors, actors, designers, technicians, and audience.
HS 117.315 LI - Creative Expression: performance
Get instant access to this and everything else in the Drama Teacher Academy