Director's Toolbox 1: Teaching Students to Direct
Created by James Van Leishout
In this course, James Van Leishout explores why students should direct, and covers the first two tools in the director’s toolbox: self and the script. What background should every director have? Why should they learn to love research? What should happen in the first four reads of a script?
With every step along the way, there will be exercises and activities your student directors can take on before they step into the rehearsal process.
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1Lesson 1Introduction5:17 FREE PREVIEWThis lesson introduces the course and lays out the details for lessons 2-8.
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2Lesson 2Why Students Should Direct17:22 FREE PREVIEWThis lesson discusses why students should direct in more detail and introduces the tools of self and script.
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3Lesson 3The Tool of Self17:19This lesson examines a director's training by answering three questions. One, why a student director needs to be a student of their own craft? Two, why a student needs to be culturally literate, especially in theatre, as well as the arts, politics and history, and science and technology? Three, how to help the student director develop a love of research through a nimble mind and an insatiable curiosity?
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4Lesson 4The First Read23:10Lesson 4 covers the first read of the play, the gestalt and first impressions. Students read the play to garner a sense of the whole play. Students should record their first impressions in the script.
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5Lesson 5The Second Read27:15In the second read, students will identify the elements of the play, i.e., plot, character, theme, language, music and spectacle. Play structure will be discussed as part of the plot element.
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6Lesson 6The Third Read20:35The third read takes a closer look at the recurring themes, allusions, motifs and symbols, which lead to a unifying vision, metaphor or concept.
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7Lesson 7The Fourth Read15:25Lesson 07 covers the fourth read, which applies the proverbial Procrustean bed and creates a battle plan.
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8Lesson 8Recap5:57Lesson 08 reviews the course and looks at the next course (Director's Toolbox 2).
Standards Addressed
Perceive and analyze artistic work - Grade 8
Generate and conceptualize artistic ideas and work - High School Proficient
Select, analyze, and interpret artistic work for presentation - Grade HS Proficient
Select, analyze, and interpret artistic work for presentation - Grade HS Accomplished
Select, analyze, and interpret artistic work for presentation - Grade HS Advanced
Relate artistic ideas and works with societal, cultural, and historical context to deepen understanding - Grade 6
Organize and develop artistic ideas and work - Grade 7
Organize and develop artistic ideas and work - Grade 8
- TH:Cr2.1.8.a Articulate and apply critical analysis, background knowledge, research, and historical and cultural context to the development of original ideas for a drama/theatre work.
- TH:Cr2.1.8.b Share leadership and responsibilities to develop collaborative goals when preparing or devising drama/theatre work.
Interpret intent and meaning in artistic work - Grade HS Accomplished
Relate artistic ideas and works with societal, cultural, and historical context to deepen understanding - Grade 6
Relate artistic ideas and works with societal, cultural, and historical context to deepen understanding - Grade 7
Relate artistic ideas and works with societal, cultural, and historical context to deepen understanding - Grade HS Proficient
Apply criteria to evaluate artistic work - Grade HS Advanced
Relate artistic ideas and works with societal, cultural, and historical context to deepen understanding - Grade HS Advanced
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