Mock Audition
Created by Lindsay Price
In this Mock Audition Unit, students will start by discussing the audition process. They will make connections between their personal views and the process. Students will then apply the steps of auditioning from putting together a resume, to choosing a piece based on provided information, to audition etiquette, to the actual audition itself. A final reflection and rubric are provided for use at the end of this unit.
A short play is included that can be used as the source material. You can also choose your own play for this process.
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1Lesson 1Introduction to the Audition ProcessIn order to partake in the audition process, students need to identify and comprehend the necessary steps in that process. What is the auditioning process? Why is it used? Is the process fair? Why or why not? The class ends with students playing director in the “Who Would You Cast?” Exercise.
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2Lesson 2The Acting ResumeAn actor needs two documents when they audition for a role: a resume and a headshot. What should go on an acting resume and what should stay off of it? What is an auditioner looking for? Students will discuss the purpose of an acting resume, review a model, and reflect on the process. Students will use this template when they create a resume for their mock audition.
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3Lesson 3Becoming a Professional Actor: HeadshotsWhile the Mock Audition does not require students to bring in a headshot, it is an essential document in the “real world” audition process. A good headshot will help a director remember an actor. A bad headshot can get an actor rejected before they step through the door. Students will complete exercises that respond to the question What makes a good headshot?
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4Lesson 4Audition EtiquetteStudents will continue their journey toward the Mock Audition by exploring audition etiquette. How can an actor’s attitude and behaviour affect an audition?
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5Lesson 5Choosing a MonologueStudents will continue their journey toward the Mock Audition by exploring what goes into choosing an appropriate audition monologue. This lesson takes 2 class periods.
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6Lesson 6Monologue Prep: Character ProfileAfter students choose their monologues, the next step is to prepare. More often than not, students think that preparing means learning the lines and throwing in a few moves. When students do this in an audition, it shows. The character is one-dimensional and the movement looks out of place. You want to see three-dimensional characters. You want to see characters brought to life both physically and vocally. In this lesson, students are given time to practice their monologue and start working on the who, what, when, where, and why.
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7Lesson 7Monologue Prep: Vocal ProfileStudents will continue their journey toward the Mock Audition by exploring what they can do to prepare their monologue. Once students have completed the Character Profile, have them complete the Physical Profile. This will solidify how the character stands, gestures, and moves.
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8Lesson 8Monologue Prep: Vocal Profile, Slate, and Thank YouStudents will continue their journey toward the Mock Audition by exploring what they can do to prepare their monologue. The last profile students complete will be the Vocal Profile. This will solidify how the character communicates orally.
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9Lesson 9Monologue Prep: Audition Set-UpStudents will continue their journey toward the Mock Audition by exploring what they can do to prepare their monologue. They will practice their monologue and talk about dealing with nerves. This is the final lesson before the Mock Audition - you will review the audition procedure with the class and students will sign up for their audition slot.
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10Lesson 10The Mock AuditionToday is the Mock Audition. In this lesson, you will play director and audition students for one of four roles in the play ‘Jealousy Jane.’ Use the Monologue Performance Rubric to assess their performance.
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11Lesson 11After the AuditionHow did students feel about their audition? Did they get a part? What is their response if they didn’t? This wrap up lesson allows students to unpack their experience with this unit and participate in a final reflection. This is not a full class lesson.
Standards Addressed
Speech Drama 10
- 10 demonstrate safe and appropriate projection
- 11 demonstrate how phrasing and pausing, intonation, rate and rhythm affect meaning
- 13 speak spontaneously within a given context
- 2 apply effective breathing techniques
- 3 recognize the effect of good posture on voice
- 7 demonstrate knowledge of the terms intonation, pitch, projection, rate, volume, rhythm, resonance, pausing and phrasing in speech activities
Speech Drama 20
- 15 demonstrate expressive reading of literature
- 16 communicate mood and emotion through voice
- 18 demonstrate that spoken interpretation is affected by characterization
- 20 apply movement and gesture to clarify and enhance spoken interpretation
- 21 apply previously learned speech skills to characterization and presentation
Speech Drama 30
Improvisation Drama 10
- 1 use warmup techniques for preparation of body, voice and mind
- 10 demonstrate appropriate rehearsal methods
- 14 discover how various emotions affect one vocally and physically
- 15 initiate a dramatic situation in response to a given stimulus
- 16 make logical choices spontaneously within the boundaries of situation and character
- 24 select and use vocal techniques appropriate to a character
- 25 select and use language appropriate to character and situation
- 26 use body language to add physical dimensions and depth to a character
- 28 demonstrate how attitude, and change in attitude, affects a character
- 30 demonstrate understanding of and apply the concepts of a character’s objectives and motivation
- 32 sustain a character throughout a scene or exercise
- 9 use appropriate stage directions
Improvisation Drama 30
Acting Drama 20
- 1 analyze a script for explicit character clues
- 12 analyze script for clues to create antecedent action
- 14 identify and use operative words in a script
- 15 analyze script for a character’s transitions
- 16 play transitions
- 2 create, select and sustain physical details of the character from scripted material
- 3 demonstrate understanding of and identity motivation and objectives (overall, main and immediate).
- 5 demonstrate a character’s main objective within a scene
- 6 demonstrate a character’s immediate or moment-to-moment objectives within a scene
- 8 demonstrate the ability to memorize required text
Acting Drama 30
Movement Drama 10
Playwriting - Drama 20
Improvisation/Acting Level III - Advanced
Junior Goal II Objectives
Junior Goal III Objectives
Junior Orientation
- communicate through use of voice and body
- demonstrate a willingness to take calculated and reasonable risks
- focus concentration on one task at a time
- generate imaginative and creative solutions to problems
- respond to directions without breaking concentration-side coaching
- share ideas confidently with others
- speak, move, and generate ideas spontaneously
Movement Level I - Beginning
Movement Level II - Intermediate
Speech Level I - Beginning
Speech Level II - Intermediate
Improvisation/Acting Level I - Beginning
Junior Goal I Objectives
- develop self-confidence
- develop self-discipline
- develop the ability to initiate, organize and present a project within a given set of guidelines
- develop the willingness to make a decision, act upon it and accept the results
- explore and develop physical and vocal capabilities
- extend the ability to explore, control and express emotions
- extend the ability to think imaginatively and creatively
- strengthen powers of concentration
Theatre Studies Level III - Advanced (The script)
Senior Goal I Objectives
- apply imaginative and creative thought to problem-solving situations
- demonstrate the ability to initiate, organize and present a project within a given set of guidelines
- develop a sense of inquiry and commitment to learning
- extend physical and vocal capabilities
- extend the ability to concentrate
- extend the ability to control and express emotions
- increase self-confidence
- increase self-discipline
Senior Goal II Objectives
- be capable of creating and expressing a believable character from scripted and non-scripted material
- develop techniques that enhance vocal and physical communication
- develop the ability to select appropriate physical and vocal expression for feelings, ideas and images
- develop the ability to understand and apply the specific presentation techniques demanded by various dramatic forms
- explore various approaches to analyzing a script for purposes of study and/or presentation
- extend the ability to give form and expression to feelings, ideas and images
Senior Goal III Objectives
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